Fear belongs in the topology of enjoyment, and horror is also on the psychological road map of voyeurism. Terror and
voyeurism, joy and fear are rings of a common geometry. This geometry shapes the topology of contemporary and future
society. Jordan Crandall is the first artist who gives us a vision of this geometry, an insight into a dark zone of new pleasures
and pains within a techno-militaristic controlled society. Crandall's cinema shows the Janus-head of the panoptic principle,
from which the cinema arose: seeing and being seen, visual pleasure and paranoia. His art shows us the two roots of the
cinematographic experience and its dangerous future in a media society based on armed vision. --Peter Weibel